Often this bang is contrived and pushes the bounds of believability. Can a sperm whale really ram and sink a whaling ship? Can Vin Diesel really leap a car out of one skyscraper, soar across feet of empty space, and land safely inside another skyscraper? And, by the way, is his name really Vin Diesel? We want to believe, Vin! That B. The solution is in the set-up. In no few books and movies, the main freight of the story—beginning, middle, and part of the end—is about nothing except preparing the ground for that one Power Fiction at the end. Ninety percent of the tale is dedicated to creating a world in which such a Big Fiction could plausibly happen. Have you seen Murmur of the Missisppi Poker Table Mat by Louis Malle? The whole movie is a buildup to the climactic scene of a year-old-boy having sex with his Mom. And it works. When I say truth, I mean plausible scenes and believable characters. But they must be scenes and people and concepts that, within the universe of the book or the movie, appear believably realistic. We buy in. We believe. Indeed, we have no problem with dragons on Game of Thrones because a universe has been created by the writers in which such creatures can plausibly exist and even interact with humans. And we should. Salesmen say. You, the writer, are a salesmen too. Remember, we your readers want to believe you. We want dragons to talk. We want Rocky to go the distance with Apollo Creed. Your job, Ms. Writer, is to seduce us. Your task, Mr. Tambourine Man, is take us on a trip aboard your magic swirling ship. The way the characters talk, the clothes they wear, what the emotional dynamics are between them. Keep it all of a piece with no inconsistencies. And because they used the right spoons during the soup course. Steve shows you the predictable Resistance points that every writer hits in a work-in-progress and then shows you how to deal with each one of these sticking points. This book shows you how to keep going with your work. Having failed with three earlier attempts Missisppi Poker Table Mat novels, here's how Steve finally succeeded. Steve shares his "lessons learned" from the trenches of the five different writing careers—advertising, screenwriting, fiction, nonfiction, and self-help. This is tradecraft. An MFA in Writing in pages. Amateurs have amateur habits. Pros have pro habits. When we turn pro, we give up the comfortable life but we find our power. Steve answers the question, "How do we overcome Resistance? Great advice…. I never thought of a writer being a salesman before, but you make a good case for it — thanks for a great post! As a writer who splits herself between fiction and content marketing, this rings so very true. Thanks for this.
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